Living with Madness understands “madness” not as chaos, but as attentiveness. The willingness to listen closely to instinct, memory, and the shifting pulse of the present. In the world of Batuan painting, madness becomes a quiet force: a small opening where intuition slips through and tradition begins to breathe differently.
Batuan has long been shaped by density, of line, of story, of philosophy. Its paintings carry layered cosmologies, natural rhythms and ancestral narratives. Yet tradition here is never static. It survives through repetition and rupture alike, through hands that honor inherited structures while allowing them to bend, loosen and wander.
The artists featured in this exhibition share a common root in Batuan, but speak language in each distinct tones. Some lean into intricacy until it becomes hypnotic; others allow space, softness, or unexpected color to interrupt familiar rhythms. This is madness as sensitivity: the courage to trust one’s hand, to follow curiosity, to let inherited forms grow wild.
Together, Batuan is living conversation. One shaped by different instincts, tempos, and states of becoming. Tradition does not ask to be preserved untouched; it asks to be lived with, questioned and carried forward.
Here, madness is not an escape — but a way of staying present.
Aris
Sarmanta
Aris Sarmanta approaches Batuan painting as a living landscape, one that remembers, transforms, and quietly resists stillness. His works weave familiar terrains, waterways, and village rhythms into layered dream-states, where nature feels both mapped and imagined. Precision and play coexist, traditional compositional density opens into softer, more fluid narratives. Through Aris’s hand, Batuan becomes a place of inner geography, where memory flows freely and structure bends to intuition.
Validasi (Installation Painting)
I Made
Suartama (Bijal)
For Bijal, Batuan is an ecosystem in constant bloom. His paintings erupt with botanical forms, mythical growths, and ornamental excess, unfolding in vibrant, almost ecstatic detail. While rooted in Batuan’s meticulous lineage, his palette and rhythm lean towards twisted traditional grip thus allowing color, pattern and instinct to take over. Bijal’s works feel cultivated yet unruly, like gardens that grow beyond their borders.
Made
Griyawan
Made Griyawan explores Batuan as a rhythmic structure, dense, repetitive and deeply meditative. His compositions echo ritual cycles, natural patterns and the quiet order found beneath apparent complexity. Forms multiply, lines pulse, and surfaces hum with controlled intensity. Rather than breaking tradition apart, Made compresses it, distilling Batuan’s intricacy into a disciplined visual cadence where patience and precision become acts of devotion.
Dalam Hidup Tidak Ada Yang Kekal
Satya
Cipta
Satya Cipta brings a tender, introspective voice to her painting. Her works soften the tradition’s density, allowing space, breath, and subtle movement to emerge. Delicate lines and floating forms suggest moments of pause, where nature, emotion, and imagination drift between clarity and dissolution. Satya’s interpretation of traditional technique feels intimate and personal, transforming its storytelling into quiet gestures of reflection and sensitivity.
Tears stain pink embrace, Love's farewell in tender grace,Heart's journey finds peace.
24ct Gold Leaf on Canvas
In twilight's embrace, contentment blooms silently. Boundless joy unfolds...
Acrylic on Canvas
Love's silent embrace, In hearts pure, without a word, True essence revealed.
Acrylic on Canvas